In yet to be born the performers are pure matter, objects in a constant becoming. While driven by an irreversible force through a defined system of spatial trajectories, their bodies undergo a perpetual transformation, morphing continuously into new forms. Something dies in order for something new to be born, through a movement that gradually discloses a latent but already existing process. What has not yet manifested, is already happening, lying dormant until its revelation. By presenting a scenario in endless state of development, the performance meditates on our perception of something changing, on the invisible tension that anticipates and follows a moment of transformation.